The Big Picture
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The Big Picture : Collecting Dutch and Flemish Art in Germany 1600–1850
Preface
Introduction
Edited by
Gitta Bertram, Britta Bode, Rieke van Leeuwen, Birgit U. Münch, Almut Pollmer-Schmidt and Friederike Schütt
1. Collecting Netherlandish Tapestry in Germany during the 16th Century
1.1 Electors of Saxony
1.2 Electors of the Palatinate
1.3 Philip I, Duke of Pomerania-Wolgast
1.4 Christoph I, Duke of Württemberg
1.5 Albrecht V, Duke of Bavaria
1.6 Günther XLI, Count of Schwarzburg
Anne-Sophie Laruelle
2. Jürgen Ovens (1623–1678) as an Art Agent for the Dukes of Gottorf
2.1 Introduction
2.2 Ovens and Gerrit Uylenburgh in the Gottorf Account Books
2.3 Unspecified Artworks
2.4 Ovens’ Large Room with Art
2.5 Concluding Remarks
Patrick Larsen
3. Praising and Pricing : Wilhelm VIII von Hessen-Kassel as Collector of Rembrandt
3.1 34 Rembrandts for Kassel
3.2 Subsidies for Art?
3.3 1750 – The Decisive Year
3.4 Last Acquisitions
3.5 Reconstruction of the Hanging
Justus Lange
4. The Art Collection of Christian Ludwig of Mecklenburg (1683-1756): a Showcase Example
4.1 Background
4.2 Acquiring Art
4.3 The Shape of the Collection
4.4 The Collection and the Canon of Art
Gero Seelig
5. Netherlandish Art as a Driving Force: the collection of Felix Sekerka von Sedcic, Count of Wrschowetz (1654–1720)
5.1 The Wrschowetz Collection
5.2 Comparison with other Bohemian Art Collections
5.3 Symmetrical Arrangement of the Picture Gallery
5.4 Counterpart Paintings or Companion Pieces by Contemporary Artists
5.5 Conclusion
Claudia Hofstee
6. Christian Seybold Emulating Masters of the Low Countries
6.1 Horst Gerson and Christian Seybold
6.2 Status Quaestionis: Seybold’s Biography and Œuvre
6.3 Emulating Rubens, Van Dyck, ‘Spagnoletto’ and Rembrandt
6.4 A Painter, a Palette, a Paper, and a Magnifier
6.5 Concluding Remarks
Lilian Ruhe
7. Collecting Netherlandish Versus Italian Painting: A Letter from 1756 by the Art Dealer Gerard Hoet II
7.1 The Rising Popularity of Small-Format Netherlandish Paintings
7.2 Hoet, Wilhelm von Hessen-Kassel and Tallard
7.3 Innovative Auction Catalogues
7.4 Appendix
Everhard Korthals Altes
8. Connoisseurship as a Parlour Game – An Anecdote by Wilhelm Tischbein
8.1 Rembrandt or Wouwerman?
8.2 Wouwerman in the Lubbeling Collection
8.3 Connoisseurship
Stefanie Rehm
9. Dutch and Flemish Paintings in Johann Valentin Prehn’s Miniature Cabinet
9.1 Johann Valentin Prehn: Confectioner, Artist, Collector
9.2 The Confectioner’s Paintings and their Provenance
9.3 German Paintings in the ‘Dutch Style’
9.4 Dutch and Flemish Paintings
Julia Ellinghaus
10. Dr. Josef Hoser (1770‒1848) : Collector, Art Lover and Scientist
10.1 The Emergence of a Collector
10.2 The Organization and Documentation of Hoser’s Collection
10.3 Dutch and Flemish Paintings
10.4 German, Austrian and Bohemian Paintings
Stefan Bartilla
Bibliography
Bibliography A — B
Bibliography C — F
Bibliography G — H
Bibliography I — M
Bibliography N — S
Bibliography T — Z
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